Raisa and Frida, two young Scandinavian artists and puppeters make up 'The Little Theater Of Dolls', a UK based theater company. Their puppets, costumes and productions are quirky, dark and fairytale like. So I was obsessed immediatly and had to interview them!
1 - You met in London, but grew up in Scandinavia, what made you decide to move to the UK?
We both ended up in London by chance in a way. Raisa's intention was to
come to London just for a few months before going back to Helsinki to
study photography and Frida was on her way to study in Spain and had
just come via London to visit a friend. I guess destiny had something
else planned for us since we are still here after all these years, and
working on something quite different to what we had initially planned.
2 - What inspired you both as children?
We were both very much inspired by nature. We both played a lot outside,
making things from found objects from an early age. Raisa's most
magical childhood memories are from her grandmother’s magical pink attic
where she could spend hours playing
and digging for weird old dusty objects from the past. And both of us
were really inspired by
fairytales that continue to enchant us to this very day. In fact our
work now aspires to create the illusion that these old found objects
carry
those surreal and magical qualities in them, just as we believed as a
children.
3 - How did you decide to start a puppets theater? Were you surprised by the amount of work it took?
We have both been fascinated by
storytelling in art and that was the reason we ended up studying illustration.
Frida started experimenting with animation while Raisa started making sculptural
installation pieces. As our work took more three dimensional form, we both got
a thought in our heads: What if you could make the artwork and its characters
alive, in real time? We see puppetry as a tool to make our artwork alive and
breathing and what is so amazing about it is that it has such a direct
communication with the audience.
As Raisa
graduated from college, she decided
to go to an art collective (Lower Bottom Gallery) in Oakland in
California and
Frida suggested to come with and we got a crazy idea of making a puppet
show
together. She had one more year of college left but decided to take a
year out.
We had never worked together or made maneuverable puppets, let alone
made a
whole puppet production! So we went to California in Spring 2006 where
we made
our first production. It has been such hard work ever since but we both
love it. I guess we had no idea what massive life choice we made when we
decided to embark on this project, it has really taken over our lives
in many ways. But we love it so much we both have such passion for it since there are so many things one can do with this medium, only the sky is the limit.
4 - Your puppets can be both sweet yet dark - what inspires the stories and looks of the puppets?
The process is very visual; the
story develops as we work on the elements and gradually the whole production
starts making sense. It is hard to pinpoint where exactly the visual inspiration comes
from; it is so many things: experimentation, things around us and things we
find, artists who’s work we admire, myths and folk tales, nature, cities, books
and films, music. Sometimes we don't even realise where the inspiration has come from until the work is complete.
5 - What are your plans for the future? Are there any plans for more productions or ventures?
We are working on our new production at the moment. This will be the
biggest production we have made so far, it is one hour in duration so it
will be a lot of work, a truly epic process. We are hoping to finish
the production by next Spring and then go on tour.
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